| Titre : |
Hear me now : the black potters of Old Edgefield, South Carolina [exposition, New York, The Metropolitan Museum of Art, 9 septembre 2022-5 février 2023 ; Boston, The Museum of Fine Arts, 6 mars - 9 juillet 2023 ; Ann Arbor, The University of Michigan Museum of Art, 26 août 2023 - 7 janvier 2024 ; Atlanta, the High Museum of Art, 16 février - 12 mai 2024] |
| Type de document : |
texte imprimé |
| Auteurs : |
Adrienne SPINOZZI, Directeur de publication ; Vincent BROWN (1967-...), Auteur ; Ethan W. LASSER, Auteur ; Jason R. YOUNG, Intervieweur ; Simone LEIGH (1968-....), Personne interviewée ; Metropolitan museum of art (New-York), Collectivité éditrice ; Museum of Fine Arts (Houston), Collectivité éditrice ; University of Michigan museum of art, Collectivité éditrice ; High museum of art, Collectivité éditrice |
| Editeur : |
New York : The Metropolitan Museum of Art |
| Année de publication : |
2022 |
| Importance : |
1 vol. (199 p.) |
| Présentation : |
ill. en coul., couv. ill. en coul. |
| Format : |
27 cm |
| ISBN/ISSN/EAN : |
978-1-58839-726-3 |
| Prix : |
50 EUR |
| Note générale : |
Publié à l'occasion de l'exposition éponyme qui s'est tenue au Metropolitan Museum of Art, New York, du 9 septembre 2022 au 5 février 2023 ; au Museum of Fine Arts, Boston, du 6 mars au 9 juillet 2023 ; à l'University of Michigan Museum of Art, Ann Arbor, du 26 août 2023 au 7 janvier 2024 ; et au High Museum of Art, Atlanta, du 16 février au 12 mai 2024.
|
| Langues : |
Anglais (eng) |
| Catégories : |
AMERIQUE DU NORD
CATALOGUE D'EXPOSITION
CERAMIQUE
CERAMISTE
DRAKE David
ESCLAVAGE
ETATS-UNIS
GRES
LEIGH Simone
POESIE
XIXe SIECLE
|
| Mots-clés : |
Edgefield ; Caroline du Sud poterie potier |
| Index. décimale : |
738.7 CERAMIQUE. Amérique du Nord |
| Résumé : |
"Recentering the development of industrially scaled Southern pottery traditions around enslaved and free Black potters working in the mid-nineteenth century, this catalogue presents groundbreaking scholarship and new perspectives on stoneware made in and around Edgefield, South Carolina. Among the remarkable works included are a selection of regional face vessels as well as masterpieces by enslaved potter and poet David Drake, who signed, dated, and incised verses on many of his jars, even though literacy among enslaved people was criminalized at the time. Essays on the production, collection, dispersal, and reception of stoneware from Edgefield offer a critical look at what it means to collect, exhibit, and interpret objects made by enslaved artisans. Several featured contemporary works inspired by or related to Edgefield stoneware attest to the cultural and historical significance of this body of work, and an interview with acclaimed contemporary artist Simone Leigh illuminates its continued relevance. Adrienne Spinozzi is Associate Curator in the American Wing at The Metropolitan Museum of Art, New York."
This in-depth look at the remarkable alkaline-glazed stoneware from Edgefield, South Carolina, recenters the development of Southern pottery traditions around enslaved and free Black potters working in the mid-nineteenth century. The publication brings together more than 60 rarely seen works, including figural face jugs and slip-decorated pottery by known and unknown makers. Among the most remarkable works featured are masterpieces by David Drake, known as "Dave the Potter," who signed, dated, and incised verses on many of his jars, even though literacy among enslaved people was criminalized at the time. In addition to surfacing new scholarship on the production, collection, dispersal, and cultural significance of stoneware works from Edgefield, this publication also offers a critical examination of what it means to collect, exhibit, and interpret objects made by enslaved artisans. An interview with contemporary artist Simone Leigh, the US representative for the 2022 Venice Biennale, connects Edgefield vessels to present-day conversations about sculpture, identity, and visibility. (note de l'éditeur) |
| Note de contenu : |
Bibliographie, index |
Hear me now : the black potters of Old Edgefield, South Carolina [exposition, New York, The Metropolitan Museum of Art, 9 septembre 2022-5 février 2023 ; Boston, The Museum of Fine Arts, 6 mars - 9 juillet 2023 ; Ann Arbor, The University of Michigan Museum of Art, 26 août 2023 - 7 janvier 2024 ; Atlanta, the High Museum of Art, 16 février - 12 mai 2024] [texte imprimé] / Adrienne SPINOZZI, Directeur de publication ; Vincent BROWN (1967-...), Auteur ; Ethan W. LASSER, Auteur ; Jason R. YOUNG, Intervieweur ; Simone LEIGH (1968-....), Personne interviewée ; Metropolitan museum of art (New-York), Collectivité éditrice ; Museum of Fine Arts (Houston), Collectivité éditrice ; University of Michigan museum of art, Collectivité éditrice ; High museum of art, Collectivité éditrice . - New York : The Metropolitan Museum of Art, 2022 . - 1 vol. (199 p.) : ill. en coul., couv. ill. en coul. ; 27 cm. ISBN : 978-1-58839-726-3 : 50 EUR Publié à l'occasion de l'exposition éponyme qui s'est tenue au Metropolitan Museum of Art, New York, du 9 septembre 2022 au 5 février 2023 ; au Museum of Fine Arts, Boston, du 6 mars au 9 juillet 2023 ; à l'University of Michigan Museum of Art, Ann Arbor, du 26 août 2023 au 7 janvier 2024 ; et au High Museum of Art, Atlanta, du 16 février au 12 mai 2024.
Langues : Anglais ( eng)
| Catégories : |
AMERIQUE DU NORD
CATALOGUE D'EXPOSITION
CERAMIQUE
CERAMISTE
DRAKE David
ESCLAVAGE
ETATS-UNIS
GRES
LEIGH Simone
POESIE
XIXe SIECLE
|
| Mots-clés : |
Edgefield ; Caroline du Sud poterie potier |
| Index. décimale : |
738.7 CERAMIQUE. Amérique du Nord |
| Résumé : |
"Recentering the development of industrially scaled Southern pottery traditions around enslaved and free Black potters working in the mid-nineteenth century, this catalogue presents groundbreaking scholarship and new perspectives on stoneware made in and around Edgefield, South Carolina. Among the remarkable works included are a selection of regional face vessels as well as masterpieces by enslaved potter and poet David Drake, who signed, dated, and incised verses on many of his jars, even though literacy among enslaved people was criminalized at the time. Essays on the production, collection, dispersal, and reception of stoneware from Edgefield offer a critical look at what it means to collect, exhibit, and interpret objects made by enslaved artisans. Several featured contemporary works inspired by or related to Edgefield stoneware attest to the cultural and historical significance of this body of work, and an interview with acclaimed contemporary artist Simone Leigh illuminates its continued relevance. Adrienne Spinozzi is Associate Curator in the American Wing at The Metropolitan Museum of Art, New York."
This in-depth look at the remarkable alkaline-glazed stoneware from Edgefield, South Carolina, recenters the development of Southern pottery traditions around enslaved and free Black potters working in the mid-nineteenth century. The publication brings together more than 60 rarely seen works, including figural face jugs and slip-decorated pottery by known and unknown makers. Among the most remarkable works featured are masterpieces by David Drake, known as "Dave the Potter," who signed, dated, and incised verses on many of his jars, even though literacy among enslaved people was criminalized at the time. In addition to surfacing new scholarship on the production, collection, dispersal, and cultural significance of stoneware works from Edgefield, this publication also offers a critical examination of what it means to collect, exhibit, and interpret objects made by enslaved artisans. An interview with contemporary artist Simone Leigh, the US representative for the 2022 Venice Biennale, connects Edgefield vessels to present-day conversations about sculpture, identity, and visibility. (note de l'éditeur) |
| Note de contenu : |
Bibliographie, index |
|  |
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