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Auteur Carolyn CHRISTOV-BAKARGIEV |
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Harald Szeemann / Getty Research Institute / Los Angeles : Getty Research Institute (2018)
Titre : Harald Szeemann : Museum of Obsessions ; [exhibitions, Getty Research Institute, Los Angeles, February 6-May 6, 2018 ; Kunsthalle Bern, June 9-September 2, 2018 ; Kunsthalle Düsseldorf, October 10, 2018-January 20, 2019 ; Castello di Rivoli, Museo d'Arte Contemporanea, Turin, February 26, 2019-May 26, 2019] Type de document : texte imprimé Auteurs : Getty Research Institute, Éditeur scientifique ; Glenn PHILLIPS (1974-....), Éditeur scientifique ; Philipp KAISER (1972-....), Éditeur scientifique ; Doris CHON, Éditeur scientifique ; Pietro RIGOLO (1981-....), Éditeur scientifique ; Carolyn CHRISTOV-BAKARGIEV, Auteur ; Klaus HONNEF, Personne interviewée Editeur : Los Angeles : Getty Research Institute Année de publication : 2018 Oeuvres / Expressions : Harald Szeemann (2018) Importance : 1 vol. (406 p.) Présentation : ill. en noir et en coul., couv. ill. en coul. Format : 31 cm ISBN/ISSN/EAN : 978-1-60606-559-4 Prix : 70 EUR Note générale : Catalogue publié à l'occasion de l'exposition Harald Szeemann: Museum of Obsessions, au Getty Research Institute, Los Angeles, du 6 février au 6 mai 2018 Langues : Anglais (eng) Catégories : EXPOSITION
SZEEMANN HaraldMots-clés : commissaire d'exposition;curateur Index. décimale : 707.4 CATALOGUES D'EXPOSITION. France Résumé : Widely regarded as the most influential curator of the second half of the twentieth century, Harald Szeemann (1933–2005) is associated with some of the most important artistic developments of the postwar era. A passionate advocate for avant-garde movements like Conceptualism and Postminimalism, he collaborated with artists such as Joseph Beuys, Bruce Nauman, Richard Serra, and Cy Twombly, developing new ways of presenting art that reflected his sweeping vision of contemporary culture.
Szeemann once stated that his goal as an exhibition maker was to create a “Museum of Obsessions.” This richly illustrated volume is a virtual collection catalogue for that imaginary institution, tracing the evolution of his curatorial method through letters, drawings, personal datebooks, installation plans, artists’ books, posters, photographs, and handwritten notes. This book documents all phases of Szeemann’s career, from his early stint as director of the Kunsthalle Bern, where he organized the seminal Live in Your Head: When Attitudes Become Form (1969); to documenta 5 (1972) and the intensely personal exhibition he staged in his own apartment using the belongings of his hairdresser grandfather (1974); to his reinvention as a freelance curator who realized projects on wide-ranging themes until his death in 2005.
The book contains essays exploring Szeemann’s curatorial approach as well as interviews with collaborators. Its more than 350 illustrations include previously unpublished installation photographs and documents as well as archival materials.
This volume is published to accompany an exhibition on view at the Getty Research Institute at the Getty Center February 6 to May 6, 2018 (a satellite show will be at the Institute of Contemporary Art in Los Angeles February 4 to April 22, 2018); at the Kunsthalle Bern in Bern, Switzerland, June to September 2018; at the Kunsthalle Düsseldorf in Düsseldorf, Germany October 2018 to January 2019; and at the Castello di Rivoli Museo d’Arte Contemporanea Rivoli in Turin, Italy, February to May 2019.Note de contenu : With contributions by Beatrice von Bismarck, Doris Chon, Carolyn Christov-Bakargiev, Philipp Kaiser, Megan R.Luke, Glenn Phillips, Pietro Rigolo, Mariana Roquette Teixeira ; and interviews with Tobia Bezzola, Tania Bruguera, Christo, Klaus Honnef, Anda Rottenberg, and Gilberto Zorio. Harald Szeemann : Museum of Obsessions ; [exhibitions, Getty Research Institute, Los Angeles, February 6-May 6, 2018 ; Kunsthalle Bern, June 9-September 2, 2018 ; Kunsthalle Düsseldorf, October 10, 2018-January 20, 2019 ; Castello di Rivoli, Museo d'Arte Contemporanea, Turin, February 26, 2019-May 26, 2019] [texte imprimé] / Getty Research Institute, Éditeur scientifique ; Glenn PHILLIPS (1974-....), Éditeur scientifique ; Philipp KAISER (1972-....), Éditeur scientifique ; Doris CHON, Éditeur scientifique ; Pietro RIGOLO (1981-....), Éditeur scientifique ; Carolyn CHRISTOV-BAKARGIEV, Auteur ; Klaus HONNEF, Personne interviewée . - Los Angeles : Getty Research Institute, 2018 . - 1 vol. (406 p.) : ill. en noir et en coul., couv. ill. en coul. ; 31 cm.
ISBN : 978-1-60606-559-4 : 70 EUR
Oeuvre : Harald Szeemann (2018)
Catalogue publié à l'occasion de l'exposition Harald Szeemann: Museum of Obsessions, au Getty Research Institute, Los Angeles, du 6 février au 6 mai 2018
Langues : Anglais (eng)
Catégories : EXPOSITION
SZEEMANN HaraldMots-clés : commissaire d'exposition;curateur Index. décimale : 707.4 CATALOGUES D'EXPOSITION. France Résumé : Widely regarded as the most influential curator of the second half of the twentieth century, Harald Szeemann (1933–2005) is associated with some of the most important artistic developments of the postwar era. A passionate advocate for avant-garde movements like Conceptualism and Postminimalism, he collaborated with artists such as Joseph Beuys, Bruce Nauman, Richard Serra, and Cy Twombly, developing new ways of presenting art that reflected his sweeping vision of contemporary culture.
Szeemann once stated that his goal as an exhibition maker was to create a “Museum of Obsessions.” This richly illustrated volume is a virtual collection catalogue for that imaginary institution, tracing the evolution of his curatorial method through letters, drawings, personal datebooks, installation plans, artists’ books, posters, photographs, and handwritten notes. This book documents all phases of Szeemann’s career, from his early stint as director of the Kunsthalle Bern, where he organized the seminal Live in Your Head: When Attitudes Become Form (1969); to documenta 5 (1972) and the intensely personal exhibition he staged in his own apartment using the belongings of his hairdresser grandfather (1974); to his reinvention as a freelance curator who realized projects on wide-ranging themes until his death in 2005.
The book contains essays exploring Szeemann’s curatorial approach as well as interviews with collaborators. Its more than 350 illustrations include previously unpublished installation photographs and documents as well as archival materials.
This volume is published to accompany an exhibition on view at the Getty Research Institute at the Getty Center February 6 to May 6, 2018 (a satellite show will be at the Institute of Contemporary Art in Los Angeles February 4 to April 22, 2018); at the Kunsthalle Bern in Bern, Switzerland, June to September 2018; at the Kunsthalle Düsseldorf in Düsseldorf, Germany October 2018 to January 2019; and at the Castello di Rivoli Museo d’Arte Contemporanea Rivoli in Turin, Italy, February to May 2019.Note de contenu : With contributions by Beatrice von Bismarck, Doris Chon, Carolyn Christov-Bakargiev, Philipp Kaiser, Megan R.Luke, Glenn Phillips, Pietro Rigolo, Mariana Roquette Teixeira ; and interviews with Tobia Bezzola, Tania Bruguera, Christo, Klaus Honnef, Anda Rottenberg, and Gilberto Zorio. Réservation
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Exemplaires(1)
Code-barres Cote Support Localisation Section Disponibilité L000018078 707.497 GET Ouvrage Limoges - Bibliothèque 0 EXPOSITIONS/COLLECTIONS Disponible LA MAISON / Carolyn CHRISTOV-BAKARGIEV in Exposé, 3 (1997)
[article]
Titre : LA MAISON : La maison dans l'Arte Povera; Notes pour une étude Type de document : texte imprimé Auteurs : Carolyn CHRISTOV-BAKARGIEV Année de publication : 1999 Article en page(s) : 154-171 Note générale : Langue : FRANCAIS
Langues : Français (fre) Catégories : ARTE POVERA
FABRO Luciano
MAISON
MERZ Mario
MERZ MarisaRésumé : A l'instar de la maison de Marisa Merz à Turin dans les années 60, l'espace de l'art se confond avec l'espace de la vie dans une sculpture anthropomorphe dont l'homme est le centre. L'arte povera est le mouvement qui se réfère le plus à l'habitat comme à la vie nomade .
in Exposé > 3 (1997) . - 154-171[article] LA MAISON : La maison dans l'Arte Povera; Notes pour une étude [texte imprimé] / Carolyn CHRISTOV-BAKARGIEV . - 1999 . - 154-171.
Langue : FRANCAIS
Langues : Français (fre)
in Exposé > 3 (1997) . - 154-171
Catégories : ARTE POVERA
FABRO Luciano
MAISON
MERZ Mario
MERZ MarisaRésumé : A l'instar de la maison de Marisa Merz à Turin dans les années 60, l'espace de l'art se confond avec l'espace de la vie dans une sculpture anthropomorphe dont l'homme est le centre. L'arte povera est le mouvement qui se réfère le plus à l'habitat comme à la vie nomade .
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Exemplaires(1)
Code-barres Cote Support Localisation Section Disponibilité L000015743 R Revue Limoges - Archives (bibliothèque) PERIODIQUES Sorti jusqu'au 29/03/2024