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Auteur Peter GALASSI |
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Andreas Gursky / Museum of Modern Art (New-York) / New York : Museum of modern art (2001)
Titre : Andreas Gursky : [exposition, New-York, The Museum of Modern Art, March 4 - May 15, 2001] Type de document : texte imprimé Auteurs : Museum of Modern Art (New-York), Auteur ; Andreas GURSKY, Photographe ; Peter GALASSI, Directeur de publication Mention d'édition : New-York Editeur : New York : Museum of modern art Année de publication : 2001 Importance : 1 vol. (196 p.) Présentation : ill. en noir et en coul. Format : 30x35 cm ISBN/ISSN/EAN : 978-0-8109-6215-6 Note générale : Liste des expositions p. 187. Bibliogr. p. 190. Index p.194 Langues : Anglais (eng) Catégories : GURSKY Andréas
PAYSAGE URBAIN
PHOTOGRAPHIEIndex. décimale : 770.92 PHOTOGRAPHIE. Monographies Résumé : The first United States retrospective of the work of contemporary German artist Andreas Gursky presents some forty works surveying his achievement from 1984 to the present. Gursky’s large color photographs present a stunning and inventive image of our contemporary world. His adventurous mixture of contemporary subjects, saturated color, large scale, rich detail, bold abstraction, visual wit, art-world savvy, photographic spontaneity, and flamboyant digital tinkering—all in the service of a polished, signature style—have made his work one of the most distinctive and challenging contributions to contemporary art. (Source Moma)
Andreas Gursky : [exposition, New-York, The Museum of Modern Art, March 4 - May 15, 2001] [texte imprimé] / Museum of Modern Art (New-York), Auteur ; Andreas GURSKY, Photographe ; Peter GALASSI, Directeur de publication . - New-York . - New York : Museum of modern art, 2001 . - 1 vol. (196 p.) : ill. en noir et en coul. ; 30x35 cm.
ISBN : 978-0-8109-6215-6
Liste des expositions p. 187. Bibliogr. p. 190. Index p.194
Langues : Anglais (eng)
Catégories : GURSKY Andréas
PAYSAGE URBAIN
PHOTOGRAPHIEIndex. décimale : 770.92 PHOTOGRAPHIE. Monographies Résumé : The first United States retrospective of the work of contemporary German artist Andreas Gursky presents some forty works surveying his achievement from 1984 to the present. Gursky’s large color photographs present a stunning and inventive image of our contemporary world. His adventurous mixture of contemporary subjects, saturated color, large scale, rich detail, bold abstraction, visual wit, art-world savvy, photographic spontaneity, and flamboyant digital tinkering—all in the service of a polished, signature style—have made his work one of the most distinctive and challenging contributions to contemporary art. (Source Moma)
Exemplaires(1)
Code-barres Cote Support Localisation Section Disponibilité L000012535 770.92 GUR Ouvrage Limoges - Bibliothèque 0 MEDIUMS Exclu du prêt Friedlander / Museum of Modern Art (New-York) / New York : Museum of modern art (2005)
Titre : Friedlander : [exposition, New-York, The Museum of Modern Art, June 5 - August 29, 2005] Type de document : texte imprimé Auteurs : Museum of Modern Art (New-York), Auteur ; Peter GALASSI, Auteur ; Richard BENSON, Auteur Editeur : New York : Museum of modern art Année de publication : 2005 Importance : 1 vol. (480 p.) Présentation : ill. en noir et bl., jacquette ill. Format : 33x30 cm ISBN/ISSN/EAN : 978-0-87070-343-0 Note générale : Books, special editions and portfolios compiled by Dalia Azim. Chronology. Bibliography Langues : Anglais (eng) Langues originales : Anglais (eng) Catégories : ETATS-UNIS
FRIEDLANDER Lee
NU
PAYSAGE
PAYSAGE URBAIN
PHOTOGRAPHIE
PHOTOGRAPHIE HUMANISTE
PORTRAIT PHOTOGRAPHIQUEIndex. décimale : 770.92 PHOTOGRAPHIE. Monographies Résumé : This major retrospective surveys one of the most inventive and prolific careers in the history of photography. Born in Aberdeen, Washington, in 1934, Lee Friedlander upended the earnest humanism of postwar photography with his lively, irreverent glimpses of city streets and his tongue-in-cheek self-portraits of the 1960s. The offhand wit and graphic verve of those early pictures have never disappeared, but since the early 1970s the photographer’s mastery of craft, affection for tradition, and voracious curiosity have spawned a fluid stream of observation, ever more nimble and sensuous.
Working in extended series that he often makes into books—two dozen of them so far—Friedlander has merged quantity with quality. Friedlander presents some 500 photographs, organized into discrete groups whose subtle variations capture the vitality of a very generous art. Most prominent are several projects, spanning four decades, that offer a vivid and far-reaching vision of what Friedlander calls the “American social landscape.” This central theme is supplemented with portraits, self-portraits, landscapes, still lifes, nudes, studies of people at work, and—exhibited for the first time—a current series of landscapes made in the American West.
The exhibition is accompanied by a major publication that includes over 800 reproductions, essays by Peter Galassi and Richard Benson, and a comprehensive catalogue of Friedlander’s books, special editions, and portfolios.(source éditeur)
Friedlander : [exposition, New-York, The Museum of Modern Art, June 5 - August 29, 2005] [texte imprimé] / Museum of Modern Art (New-York), Auteur ; Peter GALASSI, Auteur ; Richard BENSON, Auteur . - New York : Museum of modern art, 2005 . - 1 vol. (480 p.) : ill. en noir et bl., jacquette ill. ; 33x30 cm.
ISBN : 978-0-87070-343-0
Books, special editions and portfolios compiled by Dalia Azim. Chronology. Bibliography
Langues : Anglais (eng) Langues originales : Anglais (eng)
Catégories : ETATS-UNIS
FRIEDLANDER Lee
NU
PAYSAGE
PAYSAGE URBAIN
PHOTOGRAPHIE
PHOTOGRAPHIE HUMANISTE
PORTRAIT PHOTOGRAPHIQUEIndex. décimale : 770.92 PHOTOGRAPHIE. Monographies Résumé : This major retrospective surveys one of the most inventive and prolific careers in the history of photography. Born in Aberdeen, Washington, in 1934, Lee Friedlander upended the earnest humanism of postwar photography with his lively, irreverent glimpses of city streets and his tongue-in-cheek self-portraits of the 1960s. The offhand wit and graphic verve of those early pictures have never disappeared, but since the early 1970s the photographer’s mastery of craft, affection for tradition, and voracious curiosity have spawned a fluid stream of observation, ever more nimble and sensuous.
Working in extended series that he often makes into books—two dozen of them so far—Friedlander has merged quantity with quality. Friedlander presents some 500 photographs, organized into discrete groups whose subtle variations capture the vitality of a very generous art. Most prominent are several projects, spanning four decades, that offer a vivid and far-reaching vision of what Friedlander calls the “American social landscape.” This central theme is supplemented with portraits, self-portraits, landscapes, still lifes, nudes, studies of people at work, and—exhibited for the first time—a current series of landscapes made in the American West.
The exhibition is accompanied by a major publication that includes over 800 reproductions, essays by Peter Galassi and Richard Benson, and a comprehensive catalogue of Friedlander’s books, special editions, and portfolios.(source éditeur)
Exemplaires(1)
Code-barres Cote Support Localisation Section Disponibilité L000009431 770.92 FRI Ouvrage Limoges - Bibliothèque 0 MEDIUMS Exclu du prêt