| Titre : |
Mémoires vives : from Nam June Paik to sliders lab ; [exhibition, Ghent, Liedts-Meesen Foundation, 12/01-10/03/2019] |
| Type de document : |
texte imprimé |
| Auteurs : |
Liedts-Meesen Foundation, Collectivité éditrice ; Jinsuk SUH (19..-....), Auteur ; Larisa DRYANSKY, Auteur ; Patrick NARDIN, Auteur ; Jean-Marie DALLET (1962-....), Commissaire d'exposition |
| Editeur : |
Tielt [Belgique] : Lannoo Publishers |
| Année de publication : |
2019 |
| Importance : |
1 vol. (245 p.) |
| Présentation : |
ill. en noir et en coul., couv. ill. |
| Format : |
29 cm |
| ISBN/ISSN/EAN : |
978-94-014-5853-5 |
| Langues : |
Anglais (eng) |
| Catégories : |
CATALOGUE D'EXPOSITION
INSTALLATION
PAIK Nam-June
VASULKA Woody
VIDEO
|
| Index. décimale : |
776.6 VIDEO |
| Résumé : |
Video art appeared in the second half of the 1960s. This art form is related to the official television with which, however, it does not share the commercial side, aesthetic finality or manner of dissemination.
Under the impulse of Nam June Paik, the pioneers of video art wanted to blow up the aesthetic limits of traditional art by using technology, of which the product was more communication than an individual artwork. Video art was born from an interest in the intangible message of electronics as distinct from the static physical forms of traditional plastic arts.
The artists will mainly focus on concepts like power, mass media, television, broadcast, signal, technique. These concepts will open new intellectual horizons in which some saw the birth of a new episteme.
This idea of a changing world, which has led to a new intellectual era since the 1960s, is especially interesting because it parallels with the reflections that could be heard in the early 1990s when the computer became "personal," i.e. accessible for everyone.
For this reason, we would like to show in the exhibition that these two moments, that of the 1960s and that of the 1990s, cannot be seen apart from each other but are connected by secret ties. To begin to draw these ties we will follow the following three axes:
1. Devices, their use and their invention by artists
2. The memory and thus the archive
3. The multiplicity of screens as the construction of a new mental universe
To explore these relationships between two worlds, one analogue and the other digital, the exhibition will present installations, video films, sculptures, photographs, generative works and archival documents. Some of the works presented are considered as milestones of contemporary art. The exhibition will be held at two sites: Zebrastraat in Ghent and BOZAR in Brussels. (note de l'éditeur) |
| Note de contenu : |
Featuring: Nam June Paik, Steina en Woody Vasulka, SLIDERS_lab (M. Billon, F. Curien, J.-M. Dallet, A. Sedes), Maria Barthélémy & René Sultra, Anne-Marie Duguet, Joost Rekveld |
Mémoires vives : from Nam June Paik to sliders lab ; [exhibition, Ghent, Liedts-Meesen Foundation, 12/01-10/03/2019] [texte imprimé] / Liedts-Meesen Foundation, Collectivité éditrice ; Jinsuk SUH (19..-....), Auteur ; Larisa DRYANSKY, Auteur ; Patrick NARDIN, Auteur ; Jean-Marie DALLET (1962-....), Commissaire d'exposition . - Tielt [Belgique] : Lannoo Publishers, 2019 . - 1 vol. (245 p.) : ill. en noir et en coul., couv. ill. ; 29 cm. ISBN : 978-94-014-5853-5 Langues : Anglais ( eng)
| Catégories : |
CATALOGUE D'EXPOSITION
INSTALLATION
PAIK Nam-June
VASULKA Woody
VIDEO
|
| Index. décimale : |
776.6 VIDEO |
| Résumé : |
Video art appeared in the second half of the 1960s. This art form is related to the official television with which, however, it does not share the commercial side, aesthetic finality or manner of dissemination.
Under the impulse of Nam June Paik, the pioneers of video art wanted to blow up the aesthetic limits of traditional art by using technology, of which the product was more communication than an individual artwork. Video art was born from an interest in the intangible message of electronics as distinct from the static physical forms of traditional plastic arts.
The artists will mainly focus on concepts like power, mass media, television, broadcast, signal, technique. These concepts will open new intellectual horizons in which some saw the birth of a new episteme.
This idea of a changing world, which has led to a new intellectual era since the 1960s, is especially interesting because it parallels with the reflections that could be heard in the early 1990s when the computer became "personal," i.e. accessible for everyone.
For this reason, we would like to show in the exhibition that these two moments, that of the 1960s and that of the 1990s, cannot be seen apart from each other but are connected by secret ties. To begin to draw these ties we will follow the following three axes:
1. Devices, their use and their invention by artists
2. The memory and thus the archive
3. The multiplicity of screens as the construction of a new mental universe
To explore these relationships between two worlds, one analogue and the other digital, the exhibition will present installations, video films, sculptures, photographs, generative works and archival documents. Some of the works presented are considered as milestones of contemporary art. The exhibition will be held at two sites: Zebrastraat in Ghent and BOZAR in Brussels. (note de l'éditeur) |
| Note de contenu : |
Featuring: Nam June Paik, Steina en Woody Vasulka, SLIDERS_lab (M. Billon, F. Curien, J.-M. Dallet, A. Sedes), Maria Barthélémy & René Sultra, Anne-Marie Duguet, Joost Rekveld |
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