Spike, 58. It's magic / Spike Art Magazine (2019)

Public ISBD Titre de série : Spike, 58 Titre : It's magic Type de document : texte imprimé Auteurs : Rita VITORELLI, Directeur de publication Editeur : Spike Art Magazine Année de publication : 2019 Importance : 1 vol. (192 p.) Présentation : ill. en coul. et en noir et blanc Format : 28 cm Prix : 14.00 EUR Langues : Anglais (eng) Catégories : MAGIE PARANORMAL REALITE Mots-clés : irrationnel;irréel;religieux Index. décimale : 704 THEMES DE REPRESENTATION. Divers Résumé : Spike Art Magazine inaugure une nouvelle formule entièrement en anglais, avec un n° 58 dédié à la magie (à la fois outil de transformation du réel et force omniprésente et pernicieuse cooptée par l'entrepreneuriat spirituel et les faux dieux de la Silicon Valley). Au sommaire : des analyses de la présence du magique, du religieux et de l'irrationnel dans le monde contemporain par Ella Plevin, Elisabeth von Samsonow, Hans Ulrich Obrist, Ben Vickers, Matt Liston, Erik Davis ; les poètes américains CAConrad et Ariana Reines ; entretien avec Jim Shaw ; Lu Yang ; Suzanne Treister... (note du diffuseur) Note de contenu : Essay: Hyperworld Underworlds We seem to be living through the revival of esotericism and technobelief in a disenchanted age, but what we are witnessing is no comeback. The gods we pray to and spells we cast have, in fact, been here all along, now they just bear different names. The reality is that the Enlightenment has yet to come… By Ella Plevin Artist Talk Spike brought together American poets and friends CAConrad and Ariana Reines to talk about the relationship between ritual and writing. A conversation about the bones of poetry Interview Jim Shaw Jim Shaw's dreams and waking visions tap into the deep reservoir of the American unconscious, which runs through his oeuvre and inspires his neo-surreal sculptural objects and installations. His most ambitious project is the ongoing development of a religion that revolves around a goddess known only as “O”. By Stanya Kahn Fin de Siècle The protagonists of Viennese modernism knew that technology and magic are inherently connected. For them it was clear that the spiritual opened new dimensions in a time ruled by science. How does this relate to the resurgence of magic today? By Elisabeth von Samsonow Portrait Lu Yang Lu Yang fuses virtual with actual architectures, luring the viewer into syncretic hells of augmented realities. With high-energy soundtracks and by tapping into the realms of ancient Buddhism, cyberfeminism, and technoreligions, her installations and videos conjure spiritual stimulants, curious deities, death, and posthuman life forms. By Harry Burke Q/A Porpentine Charity Heartscape Why are people afraid of witches? Field Notes The worlds of technology and spirituality are converging once again, but something new is emerging. It is too early to say what its effects will be and the right language to describe it is still taking shape. Hans Ulrich Obrist and Ben Vickers on new dimensions of understanding in lines of code. Q/A Erik Davis Why has so much of millennial culture turned towards psychedelics? Portrait Suzanne Treister Crafting an alternative history of the twentieth century through cybernetics, psychedelia, and tarot, Suzanne Treister's sprawling projects trace a vertiginously networked world where everything is connected and nothing is meaningless. By Lars Bang Larsen One Work Lynn Zelevansky on Paul Thek's “Processions” (1969-1973) The End Is Night “Disenchanted beyond belief” by Alison M. Gingeras & Jamieson Webster Curator's Key Pádraic E. Moore on John McCracken's “Red Pyramid” (1974) Q/A Matt Liston Why did you found a blockchain religion? Science Why should we continue to live as before, when we could become one with our dogs, live as pigs, have butts like fireflies, or turn into something entirely different that cannot yet be imagined? By Dean Kissick Psychology Reality as a clay, malleable simply through the power of thought, is the premise of a magical thinking. Social relationships are giving way to the imagination because it alone can manifest desire and fantasy – just after hitting the return key, that is. By Rob Horning Books The 650-page doorstopper Imponderable documents a vast range of objects and ephemera relating to magic and the occult, all from the collection of the artist Tony Oursler. By Philomena Epps Artist's Favourites By Bhanu Kapil Postcard from Bali by Ashley Bickerton Seduction by Eoghan Ryan, Franziska Wildförster, Lucas Zwirner, Emily McDermott, and Simon Wang Q/A Victoria Sin How does technology change reality? Focus View “Spellbound. Magic, Ritual, Witchcraft”by Ella Plevin Views Austria Kris Lemsalu at Secession by Dan Udy, Ernst Caramelle at Mumok by Maximilian Geymüller, and Louise Lawler at Sammlung Verbund by Bob Nickas in Vienna; Stuart Middleton at Künstlerhaus Graz by Johanna Rainer Views Germany Beatriz González at KW Institute for Contemporary Art by Federica Bueti, Henrike Naumann at Galerie im Turm and Irina Rastorgueva & Thomas Martin BQ by Penny Rafferty in Berlin; Cady Noland at MMK by Bob Nickas in Frankfurt; Jörg Immendorf at Haus der Kunst by Daniela Stöppel in Munich; Mary Beth Edelson at Kunsthalle Münster by Alex Scrimgeour Views Switzerland Tania Pérez Córdova at Kunsthalle Basel and Ka Moser at Kunsthalle Bern by Adriana Lara Views New York Friedrich Kunath at Blum & Poe by Ariella Wolens and Kevin Beasley at the Whitney by Aria Dean View Taipei “Post-Nature – A Museum as an Ecosystem” – 11th Taipei Biennial by Harry Burke Views Los Angeles Zoe Leonard at MOCA and Betye Saar at Roberts Projects by Keith J. Varardi View Brussels René Daniëls at WIELS by Rita Vitorelli View London McDermott & McGough at Studio Voltaire by Oliver Basciano View Shanghai ”Heteroglossia” at HOW Art Museum Spike, 58. It's magic [texte imprimé] / Rita VITORELLI, Directeur de publication . - Spike Art Magazine, 2019 . - 1 vol. (192 p.) : ill. en coul. et en noir et blanc ; 28 cm. 14.00 EUR Langues : Anglais (eng) Catégories : MAGIE PARANORMAL REALITE Mots-clés : irrationnel;irréel;religieux Index. décimale : 704 THEMES DE REPRESENTATION. Divers Résumé : Spike Art Magazine inaugure une nouvelle formule entièrement en anglais, avec un n° 58 dédié à la magie (à la fois outil de transformation du réel et force omniprésente et pernicieuse cooptée par l'entrepreneuriat spirituel et les faux dieux de la Silicon Valley). Au sommaire : des analyses de la présence du magique, du religieux et de l'irrationnel dans le monde contemporain par Ella Plevin, Elisabeth von Samsonow, Hans Ulrich Obrist, Ben Vickers, Matt Liston, Erik Davis ; les poètes américains CAConrad et Ariana Reines ; entretien avec Jim Shaw ; Lu Yang ; Suzanne Treister... (note du diffuseur) Note de contenu : Essay: Hyperworld Underworlds We seem to be living through the revival of esotericism and technobelief in a disenchanted age, but what we are witnessing is no comeback. The gods we pray to and spells we cast have, in fact, been here all along, now they just bear different names. The reality is that the Enlightenment has yet to come… By Ella Plevin Artist Talk Spike brought together American poets and friends CAConrad and Ariana Reines to talk about the relationship between ritual and writing. A conversation about the bones of poetry Interview Jim Shaw Jim Shaw's dreams and waking visions tap into the deep reservoir of the American unconscious, which runs through his oeuvre and inspires his neo-surreal sculptural objects and installations. His most ambitious project is the ongoing development of a religion that revolves around a goddess known only as “O”. By Stanya Kahn Fin de Siècle The protagonists of Viennese modernism knew that technology and magic are inherently connected. For them it was clear that the spiritual opened new dimensions in a time ruled by science. How does this relate to the resurgence of magic today? By Elisabeth von Samsonow Portrait Lu Yang Lu Yang fuses virtual with actual architectures, luring the viewer into syncretic hells of augmented realities. With high-energy soundtracks and by tapping into the realms of ancient Buddhism, cyberfeminism, and technoreligions, her installations and videos conjure spiritual stimulants, curious deities, death, and posthuman life forms. By Harry Burke Q/A Porpentine Charity Heartscape Why are people afraid of witches? Field Notes The worlds of technology and spirituality are converging once again, but something new is emerging. It is too early to say what its effects will be and the right language to describe it is still taking shape. Hans Ulrich Obrist and Ben Vickers on new dimensions of understanding in lines of code. Q/A Erik Davis Why has so much of millennial culture turned towards psychedelics? Portrait Suzanne Treister Crafting an alternative history of the twentieth century through cybernetics, psychedelia, and tarot, Suzanne Treister's sprawling projects trace a vertiginously networked world where everything is connected and nothing is meaningless. By Lars Bang Larsen One Work Lynn Zelevansky on Paul Thek's “Processions” (1969-1973) The End Is Night “Disenchanted beyond belief” by Alison M. Gingeras & Jamieson Webster Curator's Key Pádraic E. Moore on John McCracken's “Red Pyramid” (1974) Q/A Matt Liston Why did you found a blockchain religion? Science Why should we continue to live as before, when we could become one with our dogs, live as pigs, have butts like fireflies, or turn into something entirely different that cannot yet be imagined? By Dean Kissick Psychology Reality as a clay, malleable simply through the power of thought, is the premise of a magical thinking. Social relationships are giving way to the imagination because it alone can manifest desire and fantasy – just after hitting the return key, that is. By Rob Horning Books The 650-page doorstopper Imponderable documents a vast range of objects and ephemera relating to magic and the occult, all from the collection of the artist Tony Oursler. By Philomena Epps Artist's Favourites By Bhanu Kapil Postcard from Bali by Ashley Bickerton Seduction by Eoghan Ryan, Franziska Wildförster, Lucas Zwirner, Emily McDermott, and Simon Wang Q/A Victoria Sin How does technology change reality? Focus View “Spellbound. Magic, Ritual, Witchcraft”by Ella Plevin Views Austria Kris Lemsalu at Secession by Dan Udy, Ernst Caramelle at Mumok by Maximilian Geymüller, and Louise Lawler at Sammlung Verbund by Bob Nickas in Vienna; Stuart Middleton at Künstlerhaus Graz by Johanna Rainer Views Germany Beatriz González at KW Institute for Contemporary Art by Federica Bueti, Henrike Naumann at Galerie im Turm and Irina Rastorgueva & Thomas Martin BQ by Penny Rafferty in Berlin; Cady Noland at MMK by Bob Nickas in Frankfurt; Jörg Immendorf at Haus der Kunst by Daniela Stöppel in Munich; Mary Beth Edelson at Kunsthalle Münster by Alex Scrimgeour Views Switzerland Tania Pérez Córdova at Kunsthalle Basel and Ka Moser at Kunsthalle Bern by Adriana Lara Views New York Friedrich Kunath at Blum & Poe by Ariella Wolens and Kevin Beasley at the Whitney by Aria Dean View Taipei “Post-Nature – A Museum as an Ecosystem” – 11th Taipei Biennial by Harry Burke Views Los Angeles Zoe Leonard at MOCA and Betye Saar at Roberts Projects by Keith J. Varardi View Brussels René Daniëls at WIELS by Rita Vitorelli View London McDermott & McGough at Studio Voltaire by Oliver Basciano View Shanghai ”Heteroglossia” at HOW Art Museum

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